Hand sawn and lacquered poplar plywood on window, 2013.
(click picture to enlarge)
Part of an ongoing series about the ubiquitous computer generated texts known as spam.
The letter font is Arial, one of the ten Core fonts for the Web.
Hand sawn and lacquered poplar plywood, 2013. (click pictures to enlarge)
Part of a series of spam works in which the content of the piece is determined by the dimensions of the exhition space (letter height is always 9 centimeters).
The letter font is Arial, one of the ten Core fonts for the Web.
Vinyl adhesive letters on window, 2012. (click picture to enlarge)
Part of an ongoing series about the ubiquitous computer generated texts known as spam.
Made for the Kunstvlaai 2012 in Amsterdam (for extensive Kunstvlaai reporting see).
The letter font is Arial, one of the ten Core fonts for the Web.
Hand sawn and lacquered poplar plywood, 2012. (click pictures to enlarge)
Part of a series of spam works in which the length, thus the content, of the piece is determined by the dimensions of the exhition space (letter height is always 9 centimeters).
Made for the Kunstvlaai 2012 in Amsterdam (for extensive Kunstvlaai reporting see).
The letter font is Arial, one of the ten Core fonts for the Web.
Hand sawn and lacquered poplar plywood, 2012. (click pictures to enlarge)
Part of a series of spam works in which the length, thus the content, of the piece is determined by the dimensions of the exhition space (letter height is always 9 centimeters).
The letter font is Arial, one of the ten Core fonts for the Web.
Made for the exhibition Use it Again at Ampelhaus in Oranienbaum (Germany).
Vinyl adhesive letters on window, 2012. (click pictures to enlarge)
Commissioned bij B-Side Multimedia Arts Festival.
A series of interventions/photographs for which I collect sentences from business proposals that are being emailed to me and that I have plotted out as vinyl adhesive letters. With those sentences I look for vacant commercial windows (shops, offices). Once a suitable window is found I then paste a sentence on the empty shopping window. Oddly enough the business opportunities a vacant shopping space offer work beautifully with the empty promises of loads of money in your email box.
The letter font is Arial, one of the ten Core fonts for the Web.
Vinyl adhesive letters on window, 2012.
Commissioned by Jeroen Jongeleen for Easy Show/Kunstweekend Charlois.
Part of an ongoing series about the ubiquitous computer generated texts known as spam.
The letter font is Arial, one of the ten Core fonts for the Web.
Vinyl adhesive letters on window, 2012. (click picture to enlarge)
Semi-permanent installation at Platform57 in The Hague.
Part of an ongoing series about the ubiquitous computer generated texts known as spam.
The letter font is Arial, one of the ten Core fonts for the Web.
[photograph by Johan Nieuwenhuize]
Hand sawn and lacquered poplar plywood, 2012.
Commissioned by Poetry International and Foundation Toonzaal.
Part of an ongoing series about the ubiquitous computer generated texts known as spam.
The letter font is Arial, one of the ten Core fonts for the Web.
Vinyl adhesive letters on window, 2012. (click pictures to enlarge)
A series of interventions/photographs for which I collect sentences from business proposals that are being emailed to me and that I have plotted out as vinyl adhesive letters. With those sentences I look for vacant commercial windows (shops, offices). Once a suitable window is found I then paste a sentence on the empty shopping window. Oddly enough the business opportunities a vacant shopping space offer work beautifully with the empty promises of loads of money in your email box.
The letter font is Arial, one of the ten Core fonts for the Web.
